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OJ 11/42, [3] Handwritten postcard from Maximilian Harden to Schenker, dated May 22, 1893
Harden asks Schenker to write a review of Verdi's Falstaff in time for the Berlin opening of the opera.
OJ 11/42, [4] Handwritten postcard from Maximilian Harden to Schenker, dated June 27, 1893
Harden thanks Schenker for an article on Smetana; encourages him to write on the Viennese appetite for Italian operas; and sends greetings to [Adolph?] Gelber.
OJ 11/42, [5] Handwritten postcard from Maximilian Harden to Schenker, dated September 29, 1893
Harden encourages articles from Schenker on Leoncavallo and Bruckner.
OJ 11/42, [6] Handwritten postcard from Maximilian Harden to Schenker, dated October 19, 1893
Harden thanks Schenker for sending an [unidentified] article with a lighter tone than some of Schenker's other work.
OJ 11/42, [8] Handwritten postcard from Maximilian Harden to Schenker, dated November 9, 1893
Harden asks after Schenker's health and encourages him to write an article on prominent conductors and an article on music education.
OJ 71/42, [1] Handwritten message from Harden to Schenker, on handwritten letter from Hermann Woff to Harden, dated October 20, 1893
Wolff encourages Harden to find him a collaborator for an article on music and concert life; having read Schenker's article on Bruckner, he praises Schenker for his clear and accurate understanding of Bruckner's music. Harden commends Wollf's praise to Schenker, and suggests that he write an article about "conductors."