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OC 52/433 Handwritten letter from Hertzka (UE) to Schenker, dated May 7, 1912
Hertzka explains the reason for his need to see Schenker in person: it
concerns the numbering of bars in the second movement of Beethoven's Ninth Symphony in
Schenker's monograph on that work, and the planned edition of the score of the symphony; but
Hertzka will be away for up to ten days.
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OC 52/434 Typewritten letter from Hertzka (UE) to Schenker, with holograph insertions, dated
May 28, 1912
Hertzka invites Schenker to his home for a discussion of the monograph
Beethovens neunte Sinfonie.
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OC 52/435 Typewritten postcard from Hertzka (UE) to Schenker, dated May 31, 1912
Hertzka asks Schenker to collect him from his office on June 1 for their
meeting.
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OC 52/88 Typewritten letter from Hertzka (UE) to Schenker, dated May 4, 1912
Hertzka asks Schenker to call on him to discuss Beethovens neune
Sinfonie.
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OC 52/89 Typewritten letter from Kalmus (UE) to Schenker, dated May 16, 1912
UE sends the final gatherings of Beethovens neunte Sinfonie for Schenker's
approval and reports the total author correction costs.
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OJ 9/6, [56] Handwritten postcard from Eugen d’Albert to Schenker, postmarked May 11,
1912
Eugen d'Albert has instructed Felix Hupka to call on Schenker, and asks
Schenker to listen to his compositions.
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WSLB 110 Handwritten express postcard from Schenker to Hertzka (UE), dated May 5,
1912
Schenker is unable to comply with Hertzka's invitation on account of teaching
commitments.
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WSLB 111 Handwritten letter from Schenker to Hertzka (UE), dated May 16, 1912
Schenker points to inconsistent usage of "Sinfonie" and "Symphonie" in the
type-setting of his monograph Beethovens neunte Sinfonie and suggests adherence to the
former; he submits the Foreword, and asks for one copy of each of his previous UE
publications.
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WSLB 112 Handwritten letter from Schenker to Hertzka (UE), dated May 11, 1912
Schenker responds to Hertzka's suggestions on bar numbering in the Scherzo of
Beethoven's Ninth Symphony as reflected in Schenker's monograph and the proposed new edition
of the score, and offers a counter-proposal; he also responds on the formal terminology. --
He inquires as to the number of copies of the new edition of the Niloff
Instrumentations-Tabelle so far released.
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WSLB 113 Handwritten letter from Schenker to Hertzka (UE), dated May 18, 1912
Schenker asks to see the entire volume of his monograph on Beethoven's Ninth
Symphony again for a final check, and urges that the work be published in time for the
Vienna Music Festival Week, and that UE be advertizing the book now in
Germany.
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WSLB 114 Handwritten postcard from Schenker to Hertzka (UE), dated May 24, 1912
Schenker puts another proposal on how to present the bar numbering of the
Scherzo of Beethoven's Ninth Symphony in the text and diagram of his
monograph.
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WSLB 115 Handwritten letter from Schenker to Hertzka (UE), dated May 29, 1912
Schenker accepts Hertzka's invitation to his home on June 1, and declares his
willingness to cooperate. He acknowledges receipt of a set of his previous UE
publications.
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WSLB-Hds 94477 Handwritten letter from Schenker to Seligmann, dated May 22, 1912
Schenker congratulates Seligmann on the recent exhibition of his paintings. He
is about to send him a copy of his Beethoven’s Ninth Symphony and asks him to read the
section on the secondary literature and consider whether the same might be applied to the
literature on painting.