OC 1 B/19-20 Handwritten draft letter from Schenker to Hugo Friedmann, dated March 12,
1917
In light of the bequests to him in Mrs. Deutsch's will, Schenker seems to
remind Friedmann that she had also placed at his disposal in 1916 a sum of 10,000 Marks to
support his future publications. He wishes to make clear that that sum remains in place in
addition to the legacy and pension bestowed on him now in her will. He also expresses the
misgivings he has on the stipends implemented via the will. He is also anxious not to have
lost the first pension payment.
OC 1 B/23 Handwritten draft letter from Schenker to Siegfried Türkel, dated March 17,
1917
Schenker encloses a letter from Dr. Hugo Friedmann and comments on it,
ridiculing the lack of sophistication of the wealthy, and asserting his own indifference to
money.
OC 1 B/34r Handwritten draft letter from Schenker to Türkel, dated February 24, 1918
Schenker addresses legal obstructions regarding Sofie Deutsch's will, and
threatens to go back on an earlier disclaimer if he continues to be deprived of the inheritance
due to him; notifies Türkel that he has already paid out the first stipend, to Otto Vrieslander,
and has promised the second and third to two composers (unnamed).
OC 16/37v-36v Typed letter from Türkel to Schenker, dated November 3, 1919
Tükel reports the contents of a letter he has received from Dr. Friedmann.
OC 16/41v-42v Typed letter from Türkel to Schenker, dated April 6, 1920
Türkel corrects Schenker and suggests he make inquiries with Friedmann.
OJ 8/3, [86] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated May 5, 1920
Schenker writes scathingly about his brother Moriz's attitude to Schenker's
problems.
OJ 5/24, [1] Handwritten draft letter from Schenker to Ernst Lamberg, dated July 8,
1924
Draft letter in which Schenker contends that Sofie Deutsch's intentions for
the administration of the stipends for composers that she created through her will are being
disregarded with the passing of the capital sum to the Academy for Music and Performing
Arts, and instructs Dr. Lamberg to write to Josef Marx, Director of the Academy, in these
terms.