-
CA 12-13 Handwritten letter from Schenker to Cotta, dated February 5, 1906
Schenker discusses the pros and cons of placement of music examples in
Harmonielehre and of the captions; he asks to receive in future
galley-proofs.
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CA 15 Handwritten letter from Schenker to Cotta, dated February 15, 1906
Covering letter enclosing sheets and examples.
-
CA 16 Handwritten letter from Schenker to Cotta, dated February 26, 1906
Covering letter enclosing manuscript pages and music examples, and summarizing
the state of play.
-
CA 17 Handwritten letter from Schenker to Cotta, dated March 2, 1906
Covering letter enclosing proofs of gathering 3.
-
CA 18 Handwritten letter from Schenker to Cotta, dated April 2, 1906
Covering letter enclosing batch of music examples with text
commentaries.
-
CA 19 Handwritten letter from Schenker to Cotta, dated April 3, 1906
Schenker asks for two marginal rubrics to be corrected.
-
CA 20 Telegram from Schenker to Cotta, dated May 2, 1906
Schenker responds to an inquiry from Cotta (following up with a letter the
same day, CA 21).
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CA 21 Handwritten letter from Schenker to Cotta, dated May 2, 1906
Schenker follows up on his telegram (CA 20) and makes a suggestion about
numbering.
-
CA 22 Handwritten letter from Schenker to Cotta, dated May 16, 1906
Schenker sends more manuscript and proofs of Harmonielehre.
-
CA 23 Handwritten letter from Schenker to Cotta, dated May 25, 1906
About numbering of music examples. — Schenker asks for more postal
wrappers.
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CA 24 Telegram from Schenker to Cotta, dated May 25, 1906
Request regarding correction of gatherings.
-
CA 25 Handwritten letter from Schenker to Cotta, dated May 29, 1906
Schenker suggests that Harmonielehre be published in two volumes, indicating
that the Afterword has grown in size. — He asks for further galley-proofs.
-
CA 27 Handwritten letter from Schenker to Cotta, dated June 4, 1906
Schenker accepts Cotta's advice to keep Harmonielehre as one volume. — He will publish
the Nachwort separately. — He pleads for proofs of Part II of Harmonielehre before the
summer vacation.
-
CA 29 Handwritten letter from Schenker to Cotta, dated June 25, 1906
Schenker is correcting proofs of the remaining text, and asks for the missing
music examples.
-
CA 31 Handwritten letter from Schenker to Cotta, dated June 30, 1906
Schenker returns proofs, and draws two things to the attention of the
type-setter.
-
CA 32 Handwritten letter from Schenker to Cotta, dated July 2, 1906
Schenker explains Ex. 173 of Harmonielehre and makes suggestions as to the
layout.
-
CA 33 Handwritten postcard from Schenker to Cotta, dated July 9, 1906
Schenker gives his summer address.
-
CA 34 Handwritten letter from Schenker to Cotta, dated August 18, 1906
Schenker returns final proofs of gatherings 17 and 18 of Harmonielehre, and
asks for gathering 20.
-
CA 35 Handwritten postcard from Schenker to Cotta, dated August 23, 1906
Schenker asks for mailings to be sent to his Vienna.
-
CA 36 Handwritten postcard from Schenker to Cotta, dated August 29, 1906
Schenker asks for ties.
-
CA 38 Handwritten postcard from Schenker to Cotta, dated September 1, 1906
Schenker's wishes are those of Cotta.
-
CA 39 Handwritten postcard from Schenker to Cotta, dated September 19, 1906
Schenker reports an error in the numbering of music examples in the
Harmonielehre proofs.
-
CA 41-42 Handwritten letter from Schenker to Cotta, dated October 1, 1906
Schenker goes back on his earlier agreement with Cotta, and makes an
impassioned case for including the "Nachwort" as Section 3 of Part II of
Harmonielehre.
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CA 44 Handwritten letter from Schenker to Cotta, dated October 6, 1906
Schenker accepts Cotta's case that his "Nachwort" should not be included
within Harmonielehre, promises to enable the book to be published on time, and plans to have
the "Nachwort" follow by the time of the Easter book fair.
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CA 46 Handwritten postcard from Schenker to Cotta, dated October 11, 1906
Revised proofs of the final gatherings of Harmonielehre have been sent, and
title-page will be sent shortly.
-
CA 47 Handwritten letter from Schenker to Cotta, dated October 13, 1906
Schenker submits his synopsis of Harmonielehre with one stipulation, and also
copy of the title-page.
-
CA 48 Handwritten postcard from Schenker to Cotta, dated October 15, 1906
Schenker asks for more postal ties.
-
CA 49 Handwritten letter from Schenker to Cotta, dated October 26, 1906
Schenker submits the index to Harmonielehre.
-
CA 50 Handwritten letter from Schenker to Cotta, dated November 3, 1906
Schenker submits further final proofs for Harmonielehre.
-
CA 51 Telegram draft or carbon copy from Cotta to Schenker, dated November 3,
1906
Cotta requests duplicate of gathering 28.
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CA 52 Telegram from Schenker to Cotta, dated November 3, 1906
Schenker indicates gatherings sent off.
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CA 53 Telegram from Schenker to Cotta, dated November 4, 1906
Schenker has mailed a duplicate of gathering 28.
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CA 54-55 Stenographically handwritten letter(carbon copy) and account from Cotta to Schenker,
dated November 10, 1906
Cotta informs Schenker that Harmonielehre is printed, sends complimentary
copies, and encloses its account.
-
CA 56 Handwritten letter from Schenker to Cotta, dated November 22, 1906
Cotta should by now have received the sum covering the publishing and
marketing costs of Harmonielehre. Schenker lists five recipients of review
copies.
-
CA 57 Telegram from Alphons von Rothschild to Cotta, dated November 23, 1906
Rothschild has sent 4300.30 Marks.
-
CA 58 Handwritten letter from Schenker to Cotta, dated November 24, 1906
Schenker lists the journals for which the five music critics (as listed in CA
56) to receive review copies write.
-
CA 60 Handwritten letter from Schenker to Cotta, dated December 3, 1906
Schenker asks for a further review copy to be sent to Richard
Robert.
-
CA 61 Handwritten letter from Schenker to Cotta, dated December 27, 1906
Schenker asks for a copy to be sent to Eugen d'Albert.
-
OC 52/20 Typewritten letter from UE to Schenker, dated June 13, 1906
UE inquires further about Handel Organ Works, volume II, with
threat.
-
OC 52/21 Handwritten calling card from Rebay (UE) to Schenker, undated [c. June 12,
1906]
Rebay inquires when UE can expect Handel Organ Concertos, vol.
II.
-
OC 52/395 Typewritten letter from UE to Schenker, dated July 5, 1906
UE asks again for manuscript of Handel Organ Concertos, vol. II, and threatens
to reassign.
-
OC 52/396 Typewritten letter from UE to Schenker, dated September 28, 1906
UE asks for the score of the Handel organ concertos back; Schenker's name will
not appear on the published arrangements.
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OJ 12/27, [1] Stenographically handwritten letter from Cotta to Schenker, dated November 26,
1906
Cotta acknowledges receipt of money for [printing and marketing of]
Harmonielehre.
-
OJ 12/27, [2] Stenographically handwritten letter from Cotta to Schenker, dated December 4,
1906
Cotta has carried out wishes expressed in CA 60.
-
OJ 12/27, [3] Stenographically handwritten letter from Cotta to Schenker, dated December 29,
1906
Cotta has sent a complimentary copy of Harmonielehre to Eugen
d'Albert.
-
OJ 12/38, [1] Handwritten letter from Hans Liebstöckl to Schenker, November 29, [1906]
Liebstöckl regrets having annoyed Schenker by unwantedly disclosing his name as
author of Harmonielehre in the Illustrirtes Wiener Extrablatt, promises to write about it
"conscientiously," and disclaims being a Reger adherent.
-
OJ 12/7, 8 Handwritten letter from Kalbeck to Schenker, dated November 19,
1906
Kalbeck looks forward to Schenker's supplement to Harmonielehre, and has
not net received a review copy of Harmonielehre itself.
-
OJ 14/11, [1] Handwritten calling card from Ferdinand Scherber to Schenker, dated January 17,
1906
The manuscript that Schenker has requested will not be available because of
the relocation of the Music Collection.
-
OJ 14/23, [10] Handwritten postcard from Seligmann to Schenker, postmarked November 21,
1906
Seligmann thanks Schenker for an act of kindness.
-
OJ 14/23, [9] Handwritten postcard from Seligmann to Schenker, postmarked September 2,
1906
Seligmann thanks Schenker for his words of approval on his feuilleton about
the Salzburg Festival in the Neue Freie Presse.
-
OJ 15/6, [6] Handwritten letter from Fritz Wahle to Schenker, undated [November ?27–28,
?1906]
In a letter written in the course of two evenings, Fritz Wahle thanks Schenker
for sending him a copy of his latest book (probably Harmonielehre), which he wants to be
among the first to read. He congratulates Schenker for having maintained such high goals in
the writing of the work, which only Philistines would misunderstand, or seek to
misrepresent. The letter includes an attempt to compare a servant who doesn’t know how to
wear his master’s clothes to a philistine critic who has no concept of the value of a
serious act of creation.
-
OJ 9/31, [10] Stenographically handwritten letter from Cotta to Schenker, dated June 27,
1906
Cotta asks for return of proofs as soon as possible; setting of music examples
is delayed.
-
OJ 9/31, [11] Stenographically handwritten letter from Cotta to Schenker, dated August 30,
1906
Cotta promises further proofs of Harmonielehre, and asks Schenker not to makes
large additions.
-
OJ 9/31, [12] Stenographically handwritten letter from Cotta to Schenker, dated September 24,
1906
Cotta urges swift return of proofs, stresses the need to publish before
Christmas, and requests copy of the title-page.
-
OJ 9/31, [13] Stenographically handwritten letter from Cotta to Schenker, dated October 2,
1906
Cotta gives pressing reasons why Harmonielehre must be published by
November.
-
OJ 9/31, [14] Stenographically handwritten letter from Cotta to Schenker, dated October 8,
1906
Cotta expresses satisfaction that Schenker has decided to separate the
"Nachwort" from publication of Harmonielehre.
-
OJ 9/31, [6] Stenographically handwritten letter from Cotta to Schenker, dated January 27,
1906
Cotta sends a list of music examples that are missing from Schenker's
material.
-
OJ 9/31, [7] Stenographically handwritten letter from Cotta to Schenker, dated February 7,
1906
Cotta will in future send galley-proofs.
-
OJ 9/31, [8] Stenographically handwritten letter from Cotta to Schenker, dated May 31,
1906
Cotta advises against splitting Harmonielehre into two volumes, and recommends
restriction of the size of the Nachwort.
-
OJ 9/31, [9] Stenographically handwritten letter from Cotta to Schenker, dated June 5,
1906
Cotta advises against publishing the Nachwort simultaneously with the
Harmoneilehre.
-
OJ 9/6, [43] Handwritten letter from Eugen d’Albert to Schenker, undated [November 1,
1906[?]]
Eugen d'Albert complains of his treatment by Gustav Mahler over the
forthcoming première of his opera "Flauto Solo"; he asks Schenker to contact Rudolf
Lothar.
-
OJ 9/6, [45b] Handwritten letter from Eugen d’Albert to Schenker, undated [Spring
1906]
Eugen d'Albert thanks Schenker for [Strauss's] "Salome" and finds it
execrable.
-
OJ 9/6, [46] Handwritten letter from Eugen d'Albert to Schenker, dated December 15,
1906
Eugen d'Albert asks Schenker to put the word out to the Viennese press
that he was deliberately kept in the dark over the première of his opera "Flauto
Solo" at the Vienna Court Opera and feels much aggrieved. Lothar has not contacted
him.
-
WSLB-Hds 95662 Handwritten postcard from Schenker to Seligmann, dated August 29, 1906
In this amusing message congratulating Seligmann on his latest feuilleton,
Schenker comments on the proper speed for the “little duet” between Giovanni and Zerlina and
notes the gulf separating the performance of Don Giovanni at the Salzburg Festival (the
conductor is not named) and the Mozart performances conducted by Mahler (at the Vienna State
Opera).